Groundless
It was not in the clouds
I learnt how to fly.
But between jagged twigs,
I flapped and stumbled.
In a warm nest,
I dreamt of battling polar winds.
In furry layers,
I prayed for hardened wings.
All I see is up.
I climb and soar,
groundless.
It is not the sky
that tells direction.
But the dirt and rocks below,
stubborn and unchanging.
It is not stars I reach for
as I near them in flight,
but for the juicy sweat decay
at the foot of a tree.
I fight the binds of earth.
I reach for freedom,
groundless.
If I fly only on mountain tops,
I would touch every peak of polished grey.
But I would forget
how daffodils vary in yellows.
A special loneliness
awaits above the clouds,
a white splendour
over the meaningful imperfections.
If I could fly forever…
I fall,
groundless.
The fine, delicate quill
decorates not a majestic being,
but a lump of fluff,
lying in the way of someone’s hundred-k journey.
A piece of prodigal sky,
returning to earth.
Amy Huang
Year 12
Rangi Ruru College, Auckland
Colours of the Wind.
The sun echoes out
across the sky,
ignites the silver linings,
creates a soft pink hue.
The contrast against
a blue canvas
mingles, seeps together,
produces a lavender glow.
Over the hill on the horizon
there is nothing but white.
A cascade of peaks,
mirroring the mountain opposite.
Where the sun illuminates proudly
there is a spill of orange,
sharpened,
by a tinge of lemon.
As we turn the corner,
all there is, is grey,
the dull sadness and blandness
pierced by the colours as they link,
and fall.
Alyxandra Devlin
Year 13
St Mary’s Diocesan, New Plymouth
White
They say that the night
Is darkest before the dawn.
But that isn’t the truth,
At least, beyond simple terms.
Anyone who’s seen
A sunrise knows. There
Is a trend. A gradual
Brightening along the course
Of an hour or so.
The darkest darkness is a
Sham, designed to justify
All manner of karmic injustice,
To hold lowered heads high.
A nursery rhyme told
By the minstrels who
Tell you this is a poem, because
It has verses, and had line breaks
In between sentences.
But, just because a poem
Isn’t a poem, doesn’t mean
It can’t be read.
And dawn comes
Regardless of the darkness.
Unless, it’s really cloudy…
Jake Kelly-Hulse
Year 12
Sacred Heart College, Auckland
Eileithyia
Her belly is effervescent—
explosive with life bursting forth,
the buttons on her blouse hanging on
by straining threads.
Dewy green fields run on for miles in her womb;
blood-roses bloom from veins, cords,
saltwater, and steam with life.
Passion breathes hotly into the greenhouse and it grows—
it grows.
She’s a furnace. Snow melts at her feet,
the buried daisies stir,
stand close to her and feel the heat radiating
from the fire of her goddess-stomach.
Her swollen feet blossom from an old earth.
They sing to her, the stones,
to the serpents twining,
to the moon-rabbits kicking in the meadows,
and she glows.
She cruises by, a juggernaut,
parting the seas
her hips sway to the ghost of hymns
sung on the banks of the Euphrates.
She carries a dynasty with her;
her skin strains over a family—
three hearts, six kidneys.
Spring draws near, and the first cries with it.
Grace Lee
Year 13
Auckland International College
inadequately blue
the sky folds open every morning like origami
and i fold out with it, like butterflies,
like pretty birds, lifting away,
only to be caught in the creases of the ocean.
they say that if you make one thousand
paper cranes, you get a wish.
if my fingers did not ache, i would fold and fold and fold
until i got not one wish, but a million,
and i would scatter them across the sea
and kiss the feathers that wash up on the shore each year.
my lipstick stains are stuck on the softest things in the world
like clouds and the boy who didn’t say goodbye.
he dipped his finger into sunsets
and painted my eyes red, orange, fire,
and i would spread that burn out across the ocean
but my fingers shake
and nothing comes out of my mouth but air.
Emma Shi
Year 13
Pakuranga College, Auckland
Dust
A china elephant
Small, delicate
Sat still on the mantle.
A gift from Father.
But why had she kept it?
Mary Lennox was not a child.
No.
She had no time for childish things
Or childish games.
She was to be “quiet
And polite
And well behaved.”
But mostly quiet.
It was strange
Mother had always called her ‘child’
And told her to act as an adult
Was it not?
Perhaps she forgets my name.
How silly she was
To pack a little elephant.
Only a small suitcase she had,
Yet she packs a toy?
What would Mother have said?
The elephant glinted
Gleamed
Shimmered, in the sunlight
The Indian jewels shining.
Mary kept it very clean.
It wasn’t that she cared about it.
No.
She just hated dust,
That’s all.
Holly Brendling
Year 13
Baradene College, Auckland
La Langue Française
I first came across you looking out of the window
smoking pensively in long streamers, full of care.
you were like a photograph of someone, gazing from an apartment,
head wreathed with tiny flowers,
at the mediaeval clock tower striking noon
over the rain-dressed streets, the 1930s cars rolling
serenely on.
I didn’t like you, I confess.
you seemed pretentious, pedantic,
full of self-centred philosophy.
you were constantly giving people roses:
sensuous dark red roses,
like those for a lover.
imagine my surprise
when I found you smiling that day,
sudden subtleties apparent
under your hushed, beautiful face.
you turned to me
and gave me a whole bouquet.
Madeleine Ballard
Year 13
Diocesan School for Girls, Auckland
Just another sketch
I’ve written another letter
this time its form traced
on an old newsletter found discarded in the recycling bin.
In charcoal feathered pencil, I hastily sketched an outline
then folded the words into each other,
so that they held each other in with no room for escape. I
squirreled it into my jacket pocket and
zipped it away from
the prying eyes of the world, perhaps
for a rainy day
when the droplets are fat
with memories and dust. I intended to
never
let it breathe, or see the sun’s rays,
to let it hide forever in the shadows and collect
my ill-timed reminiscences,
but I was tempted by who knows what,
to read it once more. It’s by no means
a magnum opus, shining in clever wit. It’s
just a mere draft, just as this
is a mere draft
that I won’t dare to read or touch
again. I’m not even sure you could call it a letter
– just a collection of thoughts that stumble
and trip over each other; a clutter
of musings and broodings.
A jigsaw puzzle
with pieces missing, and unwanted pieces that
intrude.
I tell you, though, there really is something
alluring
about committing your spilling thoughts to white virgin paper,
to let the blankness soak up your feelings
and make them belong to someone who is
irrevocably distant from plain old
you.
You can blacken the paper with ink
screw it up, tear it to furry pieces,
if you don’t like what you have written,
wring it out like a towel
and empty the burning mind
of distracting thoughts.
Bryony Campbell
Year 12
Wellington East Girls’ College, Wellington
Wintersweet
I pause before the peeling, sagging gate,
the drunkenly leaning picket-fence palings,
some fallen, abandoned to their slow-rotting fate.
Here stands an overgrown thicket. The plants assailing
the fence romp beyond it. Spring will come too late
for the dying, twining vines scrambling up, scaling
the decaying boundary, blurring all that would show: this was once a garden.
Tangled thorn-branches snatch
at my hair as I duck beneath a bloomless rose.
I wade through waist-deep weeds. Spiked teasels catch
at my skirt.
Few prim plants in shaggy borders grow,
where Queen Anne’s lace and fennel riot. Dead weeds thatch
the cracked plastic gutter of a slumped, wooden shed.
One half of it fallen; the other half crumbling, and bent
with the strain of supporting itself.
Every thing is dead.
But wait. A cold gust of wind flings a scent,
fresh, sweet, and lemony, as if Spring crept ahead
to strew Winter with fragrance. The heady perfume dents
the leaden mood of death. I start forward to trace
the silk scarf of scent past the wild mass of tangled
shrubs and tares. There, looking not out of place,
is a wizened bush, boughs all twisted and mangled.
But amber buds cupped with a childish grace
are held in brown sepal-hands. A few faded leaves dangle.
Sweet fragrance and memories slowly drift back.
Here, where weeds run rampant and picket fences sag,
lived an old kuia. Loose clothes hung off her like flour-sacks.
Her fingers were gnarled twigs, her face a crumpled paper bag.
But kindness carved a moko through its creases and cracks.
She would sit on her porch at dawn, puffing her fag,
keeping an eye on the valley, and us, her neighbour-friends.
When dusk dropped its curtain down on our dell,
her lights would gleam out at the winding road’s end,
and a dark-frightened girl would feel comforted, all was well.
Year by year, we children would wander up to the bend
where her house stood, wafting its warming smells.
Like lengthening shadows in the noonday sun,
the childish figures grew older – tall, and strong.
Where I once passed the old woman’s house at a run,
I slowed to a gangly lope…then easily strolled along.
But though time and times would be past and done,
in our minds, ‘Nan’ would always be there. She belonged.
Then she died.
But memories loving in the winter of grief
scent the place – and people – she tended.
A gnarled old bush, in tattered leaf,
had the sweetest fragrance extended.
Didi Hughes
Year 12
Te Aho o te Kura Pounamu – The Correspondence School
Incandescent Essence
My thoughts are silver herrings, darting.
Sometimes I grab a hold of one,
But they melt
Like quicksilver.
I’ll see a splash,
But I can’t touch
The taste of success not quite on my tongue.
Only smell it,
Tentatively close.
I like to share my thoughts with Robyn Thompson
At 131 Elizabeth Street.
My thoughts are bedrock
On which I can lay foundation
If I read the instructions right…
I draw inspiration surreptitiously
From my subconscious.
Because I was sleeping, but it was awake.
“I’ve been spun to…”
The incredible cupboard of consciousness
In which my thoughts reside,
Sometimes gets left open when Timothy waltzes away with an idea.
It will never result in anything because
Thoughts are ephemeral aurora and unreliable compasses,
They are marshlights not to be trusted.
C’est vrai, ils sont chimérique.
They wander far and wide, seeking someone to listen,
And are easily lost in the depths of the pools from which they came.
Timothy Fraser
Year 12
Hutt International Boys’ School, Upper Hutt